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1 пространство состояний
Русско-английский словарь по машиностроению > пространство состояний
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2 пространство состояний
Русско-английский новый политехнический словарь > пространство состояний
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3 пространство состояний
пространство состояний
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[Е.С.Алексеев, А.А.Мячев. Англо-русский толковый словарь по системотехнике ЭВМ. Москва 1993]Тематики
EN
Русско-английский словарь нормативно-технической терминологии > пространство состояний
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4 пространство задач
problem space, task spaceРусско-английский словарь по электронике > пространство задач
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5 пространство задач
problem space, task spaceРусско-английский словарь по радиоэлектронике > пространство задач
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6 пространство состояний
Русско-английский большой базовый словарь > пространство состояний
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7 пространство состояний
Русско-английский словарь по информационным технологиям > пространство состояний
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8 Creativity
Put in this bald way, these aims sound utopian. How utopian they areor rather, how imminent their realization-depends on how broadly or narrowly we interpret the term "creative." If we are willing to regard all human complex problem solving as creative, then-as we will point out-successful programs for problem solving mechanisms that simulate human problem solvers already exist, and a number of their general characteristics are known. If we reserve the term "creative" for activities like discovery of the special theory of relativity or the composition of Beethoven's Seventh Symphony, then no example of a creative mechanism exists at the present time. (Simon, 1979, pp. 144-145)Among the questions that can now be given preliminary answers in computational terms are the following: how can ideas from very different sources be spontaneously thought of together? how can two ideas be merged to produce a new structure, which shows the influence of both ancestor ideas without being a mere "cut-and-paste" combination? how can the mind be "primed," so that one will more easily notice serendipitous ideas? why may someone notice-and remember-something fairly uninteresting, if it occurs in an interesting context? how can a brief phrase conjure up an entire melody from memory? and how can we accept two ideas as similar ("love" and "prove" as rhyming, for instance) in respect of a feature not identical in both? The features of connectionist AI models that suggest answers to these questions are their powers of pattern completion, graceful degradation, sensitization, multiple constraint satisfaction, and "best-fit" equilibration.... Here, the important point is that the unconscious, "insightful," associative aspects of creativity can be explained-in outline, at least-by AI methods. (Boden, 1996, p. 273)There thus appears to be an underlying similarity in the process involved in creative innovation and social independence, with common traits and postures required for expression of both behaviors. The difference is one of product-literary, musical, artistic, theoretical products on the one hand, opinions on the other-rather than one of process. In both instances the individual must believe that his perceptions are meaningful and valid and be willing to rely upon his own interpretations. He must trust himself sufficiently that even when persons express opinions counter to his own he can proceed on the basis of his own perceptions and convictions. (Coopersmith, 1967, p. 58)he average level of ego strength and emotional stability is noticeably higher among creative geniuses than among the general population, though it is possibly lower than among men of comparable intelligence and education who go into administrative and similar positions. High anxiety and excitability appear common (e.g. Priestley, Darwin, Kepler) but full-blown neurosis is quite rare. (Cattell & Butcher, 1970, p. 315)he insight that is supposed to be required for such work as discovery turns out to be synonymous with the familiar process of recognition; and other terms commonly used in the discussion of creative work-such terms as "judgment," "creativity," or even "genius"-appear to be wholly dispensable or to be definable, as insight is, in terms of mundane and well-understood concepts. (Simon, 1989, p. 376)From the sketch material still in existence, from the condition of the fragments, and from the autographs themselves we can draw definite conclusions about Mozart's creative process. To invent musical ideas he did not need any stimulation; they came to his mind "ready-made" and in polished form. In contrast to Beethoven, who made numerous attempts at shaping his musical ideas until he found the definitive formulation of a theme, Mozart's first inspiration has the stamp of finality. Any Mozart theme has completeness and unity; as a phenomenon it is a Gestalt. (Herzmann, 1964, p. 28)Great artists enlarge the limits of one's perception. Looking at the world through the eyes of Rembrandt or Tolstoy makes one able to perceive aspects of truth about the world which one could not have achieved without their aid. Freud believed that science was adaptive because it facilitated mastery of the external world; but was it not the case that many scientific theories, like works of art, also originated in phantasy? Certainly, reading accounts of scientific discovery by men of the calibre of Einstein compelled me to conclude that phantasy was not merely escapist, but a way of reaching new insights concerning the nature of reality. Scientific hypotheses require proof; works of art do not. Both are concerned with creating order, with making sense out of the world and our experience of it. (Storr, 1993, p. xii)The importance of self-esteem for creative expression appears to be almost beyond disproof. Without a high regard for himself the individual who is working in the frontiers of his field cannot trust himself to discriminate between the trivial and the significant. Without trust in his own powers the person seeking improved solutions or alternative theories has no basis for distinguishing the significant and profound innovation from the one that is merely different.... An essential component of the creative process, whether it be analysis, synthesis, or the development of a new perspective or more comprehensive theory, is the conviction that one's judgment in interpreting the events is to be trusted. (Coopersmith, 1967, p. 59)In the daily stream of thought these four different stages [preparation; incubation; illumination or inspiration; and verification] constantly overlap each other as we explore different problems. An economist reading a Blue Book, a physiologist watching an experiment, or a business man going through his morning's letters, may at the same time be "incubating" on a problem which he proposed to himself a few days ago, be accumulating knowledge in "preparation" for a second problem, and be "verifying" his conclusions to a third problem. Even in exploring the same problem, the mind may be unconsciously incubating on one aspect of it, while it is consciously employed in preparing for or verifying another aspect. (Wallas, 1926, p. 81)he basic, bisociative pattern of the creative synthesis [is] the sudden interlocking of two previously unrelated skills, or matrices of thought. (Koestler, 1964, p. 121)11) The Earliest Stages in the Creative Process Involve a Commerce with DisorderEven to the creator himself, the earliest effort may seem to involve a commerce with disorder. For the creative order, which is an extension of life, is not an elaboration of the established, but a movement beyond the established, or at least a reorganization of it and often of elements not included in it. The first need is therefore to transcend the old order. Before any new order can be defined, the absolute power of the established, the hold upon us of what we know and are, must be broken. New life comes always from outside our world, as we commonly conceive that world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." (Ghiselin, 1985, p. 4)New life comes always from outside our world, as we commonly conceive our world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." Chaos and disorder are perhaps the wrong terms for that indeterminate fullness and activity of the inner life. For it is organic, dynamic, full of tension and tendency. What is absent from it, except in the decisive act of creation, is determination, fixity, and commitment to one resolution or another of the whole complex of its tensions. (Ghiselin, 1952, p. 13)[P]sychoanalysts have principally been concerned with the content of creative products, and with explaining content in terms of the artist's infantile past. They have paid less attention to examining why the artist chooses his particular activity to express, abreact or sublimate his emotions. In short, they have not made much distinction between art and neurosis; and, since the former is one of the blessings of mankind, whereas the latter is one of the curses, it seems a pity that they should not be better differentiated....Psychoanalysis, being fundamentally concerned with drive and motive, might have been expected to throw more light upon what impels the creative person that in fact it has. (Storr, 1993, pp. xvii, 3)A number of theoretical approaches were considered. Associative theory, as developed by Mednick (1962), gained some empirical support from the apparent validity of the Remote Associates Test, which was constructed on the basis of the theory.... Koestler's (1964) bisociative theory allows more complexity to mental organization than Mednick's associative theory, and postulates "associative contexts" or "frames of reference." He proposed that normal, non-creative, thought proceeds within particular contexts or frames and that the creative act involves linking together previously unconnected frames.... Simonton (1988) has developed associative notions further and explored the mathematical consequences of chance permutation of ideas....Like Koestler, Gruber (1980; Gruber and Davis, 1988) has based his analysis on case studies. He has focused especially on Darwin's development of the theory of evolution. Using piagetian notions, such as assimilation and accommodation, Gruber shows how Darwin's system of ideas changed very slowly over a period of many years. "Moments of insight," in Gruber's analysis, were the culminations of slow long-term processes.... Finally, the information-processing approach, as represented by Simon (1966) and Langley et al. (1987), was considered.... [Simon] points out the importance of good problem representations, both to ensure search is in an appropriate problem space and to aid in developing heuristic evaluations of possible research directions.... The work of Langley et al. (1987) demonstrates how such search processes, realized in computer programs, can indeed discover many basic laws of science from tables of raw data.... Boden (1990a, 1994) has stressed the importance of restructuring the problem space in creative work to develop new genres and paradigms in the arts and sciences. (Gilhooly, 1996, pp. 243-244; emphasis in original)Historical dictionary of quotations in cognitive science > Creativity
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9 область решения проблемы
1) Mechanics: problem space2) Automation: problem space (в ЭВМ), search space (в ЭВМ)Универсальный русско-английский словарь > область решения проблемы
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10 Heuristics
[A]t one point AM [Automatic Mathematician] had some notions of sets, set-operations, numbers, and simple arithmetic. One heuristic rule it knew said " If F is an interesting relation, then look at its inverse". This rule fired after AM had studied "multiplication" for a while. The r.h.s. of the rule then directed AM to define and study the relation "divisors-of" (e.g. divisors-of (12) {1,2,3,4,6,12}. Another heuristic rule that later fired said " If f is a relation from A into B, then it's worth examining those members of A which map into extremal members of B." In this case, f was matched to "divisors-of", A was "numbers", B was "sets of numbers", and an extremal member of B might be, e.g., a very small set of numbers. Thus this heuristic rule caused AM to define the set of numbers with no divisors, the set of numbers with only 1 divisor, with only 2 divisors, etc. One of these sets (the last [ sic] mentioned) turned out subsequently to be quite important; these numbers are of course the primes. (Lenat & Harris, 1978, p. 30)Extraordinarily rapid progress during the early stages of an attack on a new problem area is a rather common occurrence in AI research; it merely signifies that the test cases with which the system has been challenged are below the level of difficulty where combinatorial explosion of the number of pathways in the problem space sets in.... It is the goal of AI research to move that threshold higher and higher on the scale of problem complexity through the introduction of heuristics-heuristics to reduce the rate of growth of the solution tree, heuristics to guide the development of the tree so that it will be rich in pathways leading to satisfactory problem solutions, and heuristics to direct the search to the "best" of these pathways. (Gelernter, quoted in Barr & Feigenbaum, 1982, pp. 139-140)Historical dictionary of quotations in cognitive science > Heuristics
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11 предметная область
1) General subject: topical area2) Engineering: application domain, problem domain3) Mathematics: object domain, object region4) Information technology: application environment (в системе с базой знаний), data domain, enterprise (базы данных), universe of discourse (напр. в базах данных)5) Mechanics: subject area6) Informatics: subject field7) Programming: problem space8) Automation: scope9) Robots: area of expertize (в СИИ), domain (знаний), knowledge domain (базы знаний в СИИ), subject area (в СИИ)Универсальный русско-английский словарь > предметная область
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12 пространство задач
1) Programming: task space2) Makarov: problem spaceУниверсальный русско-английский словарь > пространство задач
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13 пространство состояний
1) Computers: problem space2) Oil: state spaceУниверсальный русско-английский словарь > пространство состояний
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14 область решения проблемы
( в ЭВМ) problem space, search spaceРусско-английский исловарь по машиностроению и автоматизации производства > область решения проблемы
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15 область решения аналоговых задач
Information technology: analogical problem space (в ЭВМ)Универсальный русско-английский словарь > область решения аналоговых задач
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16 поиск в пространстве задач
Computers: search in problem spaceУниверсальный русско-английский словарь > поиск в пространстве задач
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17 проблемное пространство
Linguistics: problem spaceУниверсальный русско-английский словарь > проблемное пространство
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18 пространство задачи
Makarov: problem spaceУниверсальный русско-английский словарь > пространство задачи
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19 пространство состояний
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20 место
space
(в документе, таблице для внесения записей) — the various forms have standardized spaces where the symbols for each day's entry must be placed.
- (расположения, установки агрегата) — location each group of landing lights is installed at a common location.
- агрегата, посадочное (поверхность для установки агрегата) — accessory mounting face fuel pump mounting face is on the wheelcase.
- агрегата, посадочное (специальный прилив с приводом для установки агрегата на двигателе) — accessory (mounting) pad after removing the pump from the engine, blank off the pump pad with a cover plate.
- бедствия (аварии, катастрофы) — area of incident
- бортинженера, рабочее — flight engineer /engineer's/ station
- бортпроводника (кресло в пассажирской кабине, резервируемое для бортпроводника) — cabin attendant /attendant's/ seat
- бортпроводника (специально оборудованное место) — cabin attendant /attendant's/ station
- ввода противопожарных средств (лючок дпя сопла огнетушителя) — fire extinguisher insert point
- ввода противопожарных средств (надпись у лючка для ввода сопла огнетушителя) — fire access
- вертолета (мв) — aircraft position (pos)
- вырубания обшивки — break-in point
место вырубания обшивки фюзеляжа обозначено желтыми углами (рис. 104). — the break-in point on the fuselage is indicated with yellow corner markings.
- вырубания обшивки (надпись) — break in here
- выставки (инерциальной системы) — site of alignment
- выставки (инерциальной системы) в инерциальном пространстве — site of alignment in inertial space
- выставки (инерциальной системы) на земле — site of alignment on earth
- генератора, посадочное — generator mounting pad
- замера (графа таблицы рр) — measurement area
-, исходное (в плане полета по ппм) — origin wpt о may be selected as an origin.
- крепления — attachment point
- командира корабля, рабочее — captain's station
-, критическое (в планере, системе, двигателе) — problem area (in airframe, systern engine)
- ла (самолета, вертолета) — aircraft position (pos)
- ла, определенное методом счисления пути — dead-reckoning position the dead-reckoning position is a combination ofair position and preset wind data.
- ла, штилевое — air position
-, легкодоступное (при техобслуживании) — easily /free/ accessible point /area/
- летного происшествия (аварии, катастрофы) — area of incident
- (нахождения) неисправности (графа таблицы с указанием участка эл. цепи) — possible trouble area
- летчика, рабочее — pilot /pilot's/ station
-, общее (установки) — common location
-, оперативно-доступное (при техобслуживании) — easily /free/ accessible point /area/
- пайки — soldered point
- повышенного внимания (при осмотре и контроле) — thorough-inspection point /area, zone/, point subject to thorough inspection
- под домкрат (рис. 145) — jacking point
- под домкрат (надпись) — jack here
- под козелок (надпись) — trestle here
-, посадочное (на валу) — mounting seat
-, посадочное (поверхность для монтажа агрегата) — mounting face
-, посадочное (специальный прилив для установки агрегата — mounting pad
-, рабочее (в цехе) — workplace (in shop)
-, рабочее (верстак) — workbench
observe absolute cleanliness of workbench, tools and parts.
-, рабочее (члена экипажа) — crew member's station /position/
место члена экипажа на борту ла, специально оборудованное органами управления, приборами, средствами связи и сигнализации, сиденьем или креслом (рис. 88). — the flight crewmembers' stations must be located and arranged so that the flight crewmembers can perform their functions efficiently and without interfering with each other.
- самолета (mс) — aircraft position (pos), fix
точка земной поверхности, над которой в данный момент находится самолет (рис. 122). (cm. местоположение) — in navigation, a relatively accurate ground position of an aircraft determined without reference to any former position.
- самолета, текущее (mс) — present position (pos)
- самолета, текущее, в полете — in-flight present position
-, свободное (в упаковочном ящике) — hollow place /space/ stuff a box with pads to fill out hollow places.
- соединения — connection point
-, спальное — berth
- стоянки — parking area
- стоянки ла (местоположение) — ramp position
- стыка — joint
-, такелажное — lifting point
-, такелажное (надпись) — hoist here
-, труднодоступное — hardly accessible place
- хранения (ч-л. на борту) — stowage
-, центральное — center location
- штурмана, рабочее на м(есте) (в отношении осмотра, изготовления, ремонта) — navigator's station in situ
отсутствие свободного места (в документе дпя внесения записи) — space is crowded if the space is crowded, the entry can be made immediately above the mechanic's signature.
по m(ecту) (об установке) — in place
no месту (напр., сверлить отверстия) — (drill holes) to suit job (requirements)
после занятия рабочих мест в кабине — on entering flight compartment
у рабочего м. (летчика) — at pilot's station
экономия м. (за счет установки малогабаритных агрегатов. блоков) — space saving (by installing small-size units)
занимать м. (в пассажирской кабине) — occupy the seat
занимать центральное м. (о приборах на приб. доске) — be grouped and centered (on panel)
менять места (присоединения) двух проводов — rovers connection of two wires
обнаруживать м. дефекта — locate defect
обнаруживать на шине м. прокола — locate the tire leak point
определять дефект на м. — determine defect in situ
определять критическое м. — detect problem area
перепутать местами (детали при сборке, установке) — misplace
трогаться с м. (о самолете на земле) — move off from rest
устанавливать на м. — install in place
устанавливать на м. (после снятия) — reinstall. steps required to remove and reinstall a component.Русско-английский сборник авиационно-технических терминов > место
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